Friday, July 16, 2021

MEG 01 BRITISH POETRY Solved Assignment 2021-22

IGNOU MEG 01 BRITISH POETRY Solved Assignment 2020-21 , MEG 01 BRITISH POETRY Solved Assignment 2021 , FREE MEG 01 BRITISH POETRY Solved Assignment PDF , How to get MEG 01 Solved Assignment for Free, We are providing IGNOU MEG 01 BRITISH POETRY Solved Assignment all over India , In this website students will get the all solutions related with their IGNOU Assignments , IGNOU Study Material , IGNOU Previous Years Papers and IGNOU Study Notes , MEG 01 BRITISH POETRY Assignment is for those candidate who want to submit their assignments on time.

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MEG 01 BRITISH POETRY Solved Assignment 2021-22

MEG 01/TMA 01/ 2021-22

Max. Marks: 100

Answer all questions

Q.1. Explain with critical comments any two of the following passages with reference to their contexts: 10+10

(a) Where was heard the mingled measure

From the fountain and the caves.

It was a miracle of rare device,

A sunny pleasure-dome with caves of ice!

Ans. Coleridge wrote a number of the foremost luminous poems within the English , but ‘Kubla Khan’ is distinguished not just by its verse: it's surrounded by its own mythology, raising far-reaching questions not only about the way poetry is conceived and written, but also the way it's read and understood.

Composed sometime between October 1797 and should 1799 – when Coleridge was in his mid-twenties – the poem wasn't published until 25 May 1816, when it appeared alongside ‘Christabel’ and ‘The Pains of Sleep’. When he published the poem, Coleridge wrote an accompanying Preface, during which he somewhat modestly presented the poem “rather as a psychological curiosity, than on the bottom of any supposed poetic merits”.

He went on to offer one among the foremost famous accounts of poetic creation ever to appear: withdrawing to “a lonely farm-house between Porlock and Linton” in 1797, he took an “anodyne” – opium – for a “slight indisposition”, and fell asleep while reading Samuel Purchas’s Pilgrimage of 1614, over the passage where Purchas describes the good palace of “Cublai Can”. Coleridge “continued for about three hours”, he writes, “in a profound sleep, a minimum of of the external senses”, during which a poem between two and 300 lines were composed, “if that indeed are often called composition during which all the pictures rose up before him as things, with a parallel production of correspondent expressions, with none sensation or consciousness of effort”.

Where was heard the mingled measure

From the fountain and the caves.

It was a miracle of rare device,

A sunny pleasure-dome with caves of ice!

Now we get up and zoom out, looking across the "dome of pleasure" and therefore the shadow it's casting on the ocean.

Coleridge is beginning to celebrate here, taking all the weather he has introduced thus far and scrambling them together.

In just four lines we get the waves, the caves, the fountain, the dome. Everything is involved , including the various sounds of the river, which make a "mingled measure."

All this mingling shows up within the rhyme and therefore the meter of the poem too.

These lines make an honest example. Now, they are doing have a good rhyme scheme. Just check out the last words in each line: pleasure, waves, measure, caves – ABAB.

But this is often different from most of the remainder of the poem, which uses all types of other rhyme schemes. Plus these four lines have a varying number of syllables.

There really may be a quite music during this poem, but it's strange and irregular, basically, a "mingled measure."

We'll be the primary to admit that Coleridge seems to be taking himself pretty seriously here, but if you shop around the sides , he's fooling around a touch bit too.

The rhythmic force of the verse carries its images into the systema nervosum of these who read or hear it: its chant itself may be a sort of enchantment.

With its energies flowing through you, your conscious mind starts to undertake and awaken to what's happening. this is often where the pleasures of interpretation begin. As Hughes said of ‘Kubla Khan’ and therefore the ‘Rime of the traditional Mariner’: “Poems of this type can obviously never be explained. they're total symbols of psychic life. But they will be interpreted – a complete symbol is in particular a vessel for interpretations: the reader fills it and drinks”.

The speaker describes the “stately pleasure-dome” inbuilt Xanadu consistent with the decree of Kublai Khan , within the place where Alph, the sacred river, ran “through caverns measureless to man / right down to a sunless sea.” Walls and towers were raised around “twice five miles of fertile ground,” crammed with beautiful gardens and forests. A “deep romantic chasm” slanted down a green hill, occasionally spewing forth a violent and powerful burst of water, so great that it flung boulders up with it “like rebounding hail.” The river ran five miles through the woods, finally sinking “in tumult to a dull ocean.” Amid that tumult, within the place “as holy and enchanted / As e’er beneath a waning moon was haunted / By woman wailing to her demon-lover,” Kubla heard “ancestral voices” bringing prophesies of war. The pleasure-dome’s shadow floated on the waves, where the mingled sounds of the fountain and therefore the caves might be heard. “It was a miracle of rare device,” the speaker says, “A sunny pleasure-dome with caves of ice!”

(b) We sat grown quiet at the name of love; We saw the last embers of daylight die,

And in the trembling blue-green of the sky, A moon, worn as if it had been a shell

Washed by time's waters as they rose and fell, About the stars and broke in days and years.

 (c) Weep no more, woful shepherds, weep no more, For Lycidas your sorrow is not dead,

Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed,

And yet anon repairs his drooping head, And tricks his beams and with new spangled ore,

Flames in the forehead of the morning sky: So Lycidas sunk low, but mounted high,

Through the dear might of him that walk'd the waves.

(d) When the stars threw down their spears,

And water'd heaven with their tears,

Did he smile his work to see

Did he who made the Lamb make thee?

2. Write a critical note on Chancer's art of portraiture in The General Prologue.

3. Consider Herbert as a religious poet.

4. Comment on the opposition of art and life and youth and old age in 'Sailing to Byzantium'.

5. Comment on the themes of death and suicide in the poetry of Sylvia Plath.

MEG 01 Solved Assignment 2021-22; MEG 01 BRITISH POETRY Solved Assignment 2021


MEG 01 BRITISH POETRY Solved Assignment 2020-21 , MEG 01 BRITISH POETRY Solved Assignment - As explained in the Programme Guide, you have to do one Tutor Marked Assignment for each course. We are sending the assignments of all the six courses together in this booklet. Assignment is given 30% weightage in the final assessment. To be eligible to appear in the Term-End Examination, it is compulsory for you to submit the assignments as per the schedule. Before attempting the assignments, you should carefully read the instructions given in the Programme Guide. These assignments are valid for two admission cycles (January 2020 and July 2020). The validity is given below:

Submission: The completed assignment should be sent to the Coordinator of the Study Centre allotted to you by 31st March 2022 (if enrolled in the July 2021 Session) and 30th Sept, 2022 (if enrolled in the January 2022 session).

MEG 01 BRITISH POETRY is IGNOU subject code for MA English year Course. All students appearing for the first-year need to submit MEG 01 BRITISH POETRY assignments.

Let’s see all these subjects-

MEG 02 British Drama Solved Assignment 2021-2022

MEG 03 British Novel Solved Assignment 2021-2022

MEG 04 Aspects of Language Solved Assignment 2021-2022

MEG 05 Literary Criticism and Theory Solved Assignment 2021-2022

MEG 06 American Literature Solved Assignment 2021-2022

MEG 01 BRITISH POETRY Solved Assignment 2020-21 You can Get All students of university who needs to submit assignments should download old assignments of the respective course of 2021 available above and submit at the concerned study center. The last dates will be 30th April and 30th October of every year until their registration is valid. New assignments will not be available any more for students as course was revised.

IGNOU Instructions for the MEG 01 British Poetry

MEG 01 British Poetry Solved Assignment 2021-22 Before attempting the assignment, please read the following instructions carefully.

1. Read the detailed instructions about the assignment given in the Handbook and Programme Guide.

2. Write your enrolment number, name, full address and date on the top right corner of the first page of your response sheet(s).

3. Write the course title, assignment number and the name of the study centre you are attached to in the centre of the first page of your response sheet(s).

4. Use only foolscap size paper for your response and tag all the pages carefully

5. Write the relevant question number with each answer.

6. You should write in your own handwriting.

GUIDELINES FOR IGNOU Assignments 2021-22

MEG 01 Solved Assignment 2021-22 You will find it useful to keep the following points in mind:

1. Planning: Read the questions carefully. Go through the units on which they are based. Make some points regarding each question and then rearrange these in a logical order. And please write the answers in your own words. Do not reproduce passages from the units.

2. Organisation: Be a little more selective and analytic before drawing up a rough outline of your answer. In an essay-type question, give adequate attention to your introduction and conclusion. The introduction must offer your brief interpretation of the question and how you propose to develop it. The conclusion must summarise your response to the question. In the course of your answer, you may like to make references to other texts or critics as this will add some depth to your analysis.

MEG 01 British Poetry Solved Assignment 2021-22 Make sure that your answer: (a) is logical and coherent; (b) has clear connections between sentences and paragraphs; (c) is written correctly giving adequate consideration to your expression, style and presentation; (e) does not exceed the number of words indicated in your question.

3. Presentation: Once you are satisfied with your answers, you can write down the final version for submission, writing each answer neatly and underlining the points you wish to emphasize

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