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MEG 02 BRITISH DRAMA Solved Assignment 2021-22
MEG 02/TMA 01/ 2021-22
Max. Marks: 100
Answer any five questions.
All questions carry equal
marks.
Answer each question in
about 350 to 400 words.
Q.1. Write an essay on British Drama in the twentieth Century.
British Drama in the Twentieth Century is often accepted to
possess begun in Dublin, Ireland with the establishment of Irish Literary
Theater by William B. Yeats, Lady Gregory, and J. M. Synge. Their motivation
was to offer an explicitly Celtic and Irish Venue that created works that
"stage the more profound feelings of eire ." The dramatists of Irish
Literary Theater were essential for the artistic recovery and included: O'Casey
, J. M. Synge, W.B. Yeats, Lady George, and Edward Martyn, to offer some
examples. In England, the all-around made play sort was being dismissed and
supplanted with entertainers and chiefs who were focused on bringing both
change and a real crowd to the performance center by engaging the younger ,
socially cognizant, and therefore the politically ready group. within the plays
by George Bernard Shaw, Harley Granville Barker, W. Maugham , and Galsworthy ,
characters imitated this new group, ridiculed the all around made play
characters, and made new generalizations and new norms.
The early twentieth century denoted the split between ‘frocks and frills’ drama and high works, following within the footsteps of the many other European countries. “In Britain, the impact of those continental innovations was delayed by a conservative theatre establishment until the late 1950s and 1960s once they converged with the counter-cultural revolution to rework the character of English theatre. British Drama in the Twentieth Century , The West End , England’s Broadway, tender to supply the musical comedies and well-made plays, while smaller theatres and Irish venues took a replacement direction. The new direction was political, satirical, and rebellious. Common themes within the new early 20th-century drama were political, reflection the unease or rebellion of the workers against the state, philosophical, delving into the who and why of human life and existence, and, They explored common societal business practices, new political ideologies, or the increase of a repressed sector of the population. Industrialization also had an impression on Twentieth-century drama, leading to plays lamenting the alienation of humans in an increasingly mechanical world. Not only did industrialization end in alienation; so did the wars.
Between the wars, two sorts of theater reined. within the
West End , the center class attended popular, conservative theater dominated by
Coward and G. B. Shaw. “Commercial theater thrived and Darcy Lane large budget
musicals by Ivor Novello and Coward used huge sets, extravagant costumes, and
enormous casts to make spectacular productions.” British Drama in the Twentieth
Century , After the wars, restrictions were broken and new scholars, chefs, and
entertainers arose with various perspectives. Evaded naturalism
and scrutinized the authenticity of already unassailable convictions. Towards
the century's end, the term 'theater of expulsion' came into the due to the
amount of plays conjuring the past to travel up against and acknowledge it. The
dramatist's towards the century's end consider as a neighborhood of the
numbers: Beckett , Herold Pinter, Andrew Lloyd Webber , Brian Friel, Carryall
Churchill, and Stoppard . The last demonstration of the century was a rotate
towards authenticity even as the establishment of Europe's first kids' way of
life.
Realism and Myth
Freud inspired an
interest in myth and dreams as playwrights became conversant in his studies of
psychoanalysis. British Drama in the Twentieth Century along side the
assistance of Jung , the 2 psychiatrists influenced playwrights to include
myths into their plays. This integration allowed for brand spanking new
opportunities for playwrights to extend the boundaries of realism within their
writing. As playwrights began to use myths in their writing, a "poetic
sort of realism" was created. this type of realism deals with truths that
are widespread amongst all humans, bolstered by Carl Jung's idea of the
collective unconscious.
Poetic Realism
Much of the poetic
realism that was written during the start of the 20 th century forced on the
portrayals of Irish peasant life. John Milington Synge, W.B. Yeats, and woman
Gregory were but a couple of writers to use poetic realism. Their portrayal of
peasant life was often unappealing and lots of audiences reacted cruelly. Many
plays that are poetically realistic often have unpleasant theme running through
them , like lust between a son and his step-mother or the murder of a baby to
"prove" love. These plays used myths as a surrogate for real world so
as to permit the audience to measure the unpleasant plot without completely
connecting thereto .
Women
British Drama in the Twentieth Century the feminine characters progressed from the downtrodden, useless women to an empowered, emancipated women. They were wont to pose subversive questions on the social order. Many female characters portrays the author's masculine attitudes about women and their place in society. As time passed, though, females began gain empowerment . British Drama in the Twentieth Century , G. B. Shaw became one among the primary English playwright to follow Ibsen's influence and create roles of real women. Mrs. Warren, major barbara, and Pygmalion all have strong female leads. Women first started voting in 1918. Later within the century, females were both subjected to the alienation of society and routinely weren't given names to suggest to the audience the character's worth within the play...
Q. 2.
Discuss the play within the play in A Midsummer Night’s Dream.
Q. 3. To what extent does Hamlet
correspond to classical or medieval notions of tragedy?
Q.4. Can The Alchemist be
understood as a satire? Give suitable examples.
Q.5. Can Eliza in Pygmalion be termed
as feminist? Elaborate.
Q.6. Discuss the art of
characterisation in The Playboy of the Western World?
Q.7. Discuss Murder in the Cathedral
as a poetic drama.
Q.8. Comment on the historical
significance of Look Back in Anger.
Q.9.
Discuss Waiting for Godot as a reflection of existential themes.
MEG
02 BRITISH DRAMA Solved Assignment 2020-21 , MEG 02 BRITISH DRAMA Solved
Assignment - As explained in the Programme Guide, you have to do one Tutor
Marked Assignment for each course. We are sending the assignments of all the
six courses together in this booklet. Assignment is given 30% weightage in the
final assessment. To be eligible to appear in the Term-End Examination, it is
compulsory for you to submit the assignments as per the schedule. Before
attempting the assignments, you should carefully read the instructions given in
the Programme Guide. These assignments are valid for two admission cycles
(January 2020 and July 2020). The validity is given below:
Submission: The completed
assignment should be sent to the Coordinator of the Study Centre allotted to
you by 31st
March 2022 (if
enrolled in the July 2021 Session) and 30th Sept, 2022 (if enrolled in the
January 2022 session).
MEG 02 BRITISH DRAMA is IGNOU subject code
for MA English year Course. All students appearing for the first-year need to
submit MEG 02 BRITISH DRAMA assignments.
Let’s see all these subjects-
MEG 03 British Novel Solved Assignment
2021-2022
MEG 04 Aspects of Language Solved
Assignment 2021-2022
MEG 05 Literary Criticism and Theory Solved
Assignment 2021-2022
MEG 06 American Literature Solved
Assignment 2021-2022
MEG 02 BRITISH DRAMA Solved Assignment
2020-21 You can Get All students of university who needs to submit assignments
should download old assignments of the respective course of 2021 available
above and submit at the concerned study center. The last dates will be 30th April and 30th
October of every year until their registration is valid. New assignments will
not be available any more for students as course was revised.
IGNOU Instructions
for the MEG 02 BRITISH DRAMA
MEG 02 BRITISH DRAMA Solved Assignment
2021-22 Before attempting the assignment, please read the following
instructions carefully.
1. Read the detailed instructions about the
assignment given in the Handbook and Programme Guide.
2. Write your enrolment number, name,
full address and date on the top right corner of the first page of your
response sheet(s).
3. Write the course title, assignment number
and the name of the study centre you are attached to in the centre of the
first page of your response sheet(s).
4. Use only foolscap size paper for
your response and tag all the pages carefully
5. Write the relevant question number with
each answer.
6. You should write in your own
handwriting.
GUIDELINES FOR
IGNOU Assignments 2021-22
MEG 02 Solved Assignment 2021-22 You will
find it useful to keep the following points in mind:
1. Planning: Read the questions carefully. Go
through the units on which they are based. Make some points regarding each
question and then rearrange these in a logical order. And please write the
answers in your own words. Do not reproduce passages from the units.
2. Organisation: Be a little more selective
and analytic before drawing up a rough outline of your answer. In an essay-type
question, give adequate attention to your introduction and conclusion. The
introduction must offer your brief interpretation of the question and how you
propose to develop it. The conclusion must summarise your response to the
question. In the course of your answer, you may like to make references to
other texts or critics as this will add some depth to your analysis.
Also Check:
MEG 02 BRITISH DRAMA Solved Assignment
2021-22 Make sure that your answer: (a) is logical and coherent; (b) has clear
connections between sentences and paragraphs; (c) is written correctly giving
adequate consideration to your expression, style and presentation; (e) does not
exceed the number of words indicated in your question.
3. Presentation: Once you are satisfied with
your answers, you can write down the final version for submission, writing each
answer neatly and underlining the points you wish to emphasize
Make sure that your answer:
A.
is logical and coherent;
B.
has clear connections between sentences and paragraphs;
C.
is written correctly giving adequate consideration to your expression, style
and presentation;
D. does not exceed the number of words indicated in
your question.
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MEG 02 BRITISH DRAMA Solved Assignment
2021-22 , If you didn't get an Assignment Question yet then you can
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