Write a detailed note on myth, symbol and
allegory present in The Solid Mandala.
Ananse is a
trickster spider (which often pranks and even takes human shapes) which is one
of the primary characters in West African and Caribbean folklore. The poem has
been divided into two parts. In part 1 of the poem, the poet says that Ananse,
the trickster spider is thinking with his eyes open while sitting in the
periphery. The memories of the past culture and past myths are in his mind like
pupa of butterfly i.e. the memories are in their lifeless state in the “dark
space” or in other words buried deep inside the mind and he is thinking about
them.
He observes
the forgotten and submerged ancient histories, past stories of ghosts, myths,
Caribbean identity, and culture. He memorizes folklores, songs, music, and
carnivals (festivals) of villages which have also been forgotten by the people.
A number of men in the villages have heard him. He inspires them to take
action. The dead traditions have no “glamour of noon” or influence on the
present man. However, the tradition is not totally dead and unknown but are in
hibernation. Ananse is recognizing these dead myths, folks etc. Having thought
about the past of his dead culture, Ananse shifts to a corner of the ceiling
where no broom can reach him. This shifting probably means shifting back to the
past culture where colonialism cannot harm him or his thinking. Having shifted
to the corner, he prepares to recreate the past culture which has been
destroyed now. The poet compares this creation from destruction (“dust,
desert’s rainfall of soot”) to the rise of Adam on earth after his fall from
Heaven (“a new fall from heaven”). Ananse starts weaving the past (threading
the moon moonlight stories) and conspires to create things. By his weaving of
the past, the tradition and the culture which was dead is rising again and
coming to the surface.
Thus the
shadow (which was in the mind of Ananse) is turning into reality (i.e. coming
into existence). The histories, stories, ghosts, beliefs, rituals, myths,
language, accent, thinking of past culture, which were mere shadows have
emerged now and thus the past culture has come to life again. Ananse as the
creator of this culture thus becomes God who brings African identity having
“black beating heart” which every African can adopt having the language of
every African. Ananse is the word-breaker (rules of colonial language) by which
he becomes creator and maker of a definite identity and culture for the people
of Africa. In this poem, the poet has tried to challenge the canons of language
set by colonialists. He challenges these rules by breaking away from them.
He believes
that the culture which had been destructed by the colonial powers can be
regained only by rejecting the rules of language set by colonialists. The very
title of the poem “Ananse” depicts this deviation. The correct spelling of this
word in British English is “Anansi”. However, the poet deliberately chooses the
word “Ananse” to show his revolt. In the English language, the literature is
always in written form and is meant to be read, however here in this poem, we
find the concept of “Orature” or oral literature which can only be understood
by listening to it.
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