Raja Rao’s novel Kanthapura

Raja Rao’s novel Kanthapura: Raja Rao’s Kanthapura is one of the finest novels to come out of mid-twentieth century India. It is the story of how Gandhi’s struggle for independence from the British came to a typical village, Kanthapura, in South India. Raja Rao’s novel Kanthapura Young Moorthy, back from the city with “new ideas,” cuts across the ancient barriers of caste to unite the villagers in non-violent action––which is met with violence by landlords and police. Raja Rao’s novel Kanthapura The dramatic tale unfolds in a poetic, almost mythical style which conveys as never before the rich textures of Indian rural life. Raja Rao’s novel Kanthapura The narrator is an old woman, imbued with the legendary history of the region, who knows the past of all the characters and comments on their actions with sharp-eyed wisdom. Her narrative, and the way she tells it, evokes the spirit of India’s traditional folk-epics. Raja Rao’s novel Kanthapura This edition includes extensive notes on Indian myths, religion, social customs, and the Independence movement (given at the end of the book) which fill out the background for the American reader’s more complete understanding and enjoyment.

Raja Rao’s novel Kanthapura: On the surface level, the novel ‘Kanthapura’ (1938) by Raja Rao recounts the rise of a Gandhian nationalist movement in a small South Indian village of the same name. Raja Rao’s novel Kanthapura The story is narrated by Achakka, an elder Brahmin woman with an all-encompassing knowledge about everyone in her village. Raja Rao’s novel Kanthapura She narrates the story in the style of a sthala-purana, a traditional history of a village, its people, its gods, and local practices. What is more intriguing about the novel is the charming world that it introduced the readers to. And it is not a world that is fictional or unrealistic. Rather it is one that we are all familiar with. Raja Rao relocated the events of the novel in a rural area. Raja Rao’s novel Kanthapura One might wonder why Rao did not select one of India’s cities, which were being ruled by the British. Raja Rao’s novel Kanthapura This could be because of the fact that villages had always formed India. Before India even came under the British rule, the village had been the only existing form of a community.

Raja Rao’s novel Kanthapura: ‘Kanthapura’ begins by Achakka's lengthy first sentence, which situates her village in the broader context of India and the British Empire as a whole. She does this from the viewpoint of someone traversing the landscape. Raja Rao’s novel Kanthapura The flood of place names she provides demonstrates her deep familiarity with the place and establishes her as an authority on her village.
Dominant castes like Brahmins are privileged to get the best region of the village, while lower castes such as Pariahs are marginalized. Despite this classist system, the village retains its long-cherished traditions of festivals in which all castes interact and the villagers are united.

Raja Rao’s novel Kanthapura: The village is believed to be protected by a local deity named Kenchamma. She supposedly battled a demon “ages, ages ago” and has protected Kanthapura’s people ever since. The villagers frequently pray to her for help, perform ceremonies to honour her, and thank her for their good fortune. Kenchamma exemplifies the traditional religion that Kanthapura’s people gradually come to leave behind.

Nature plays a significant role among the population of the village because the mountains around the village and the river has always been present, even long before the first child was born in Kanthapura. All elements of nature have a strong power over the village.

In the novel, the protagonist Moorthy is a Brahmin. Everybody in the village calls him as ‘corner house Moorthy’ or ‘our Moorthy’. The villagers treat him as a ‘small mountain’ while Gandhi as ‘big mountain’. Moorthy goes about from door to door carrying the message of Gandhi even to the Pariah Quarter and made to know about the political, social, economic resurrections.

Raja Rao’s novel Kanthapura: The British government accuses Moorthy of provoking the townspeople to inflict violence and arrests him. While Moorthy spends the next three months in prison, the women of Kanthapura take charge, forming a volunteer corps under Rangamma's (major female character) leadership. Raja Rao’s novel Kanthapura Rangamma instils a sense of patriotism among the women by telling stories of notable women from Indian history. The novel ends with Moorthy and the town looking to the future and planning to continue their fight for independence.

Raja Rao’s novel Kanthapura: Thus, ‘Kanthapura’ evokes a sense of community and freedom, construed as a spiritual quality which overcomes all bounds and crosses all barriers. Raja Rao’s novel Kanthapura In order to allow an easy interchange between the world of men and the world of gods, between contemporaneity and antiquity, Rao thus equips his story with a protagonist whose role it is to motivate the villagers into joining the political cause of India's struggle for freedom without reservation.

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