How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala

How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. Bharata Muni’s ‘Rasa’ principle to begin with originated in his Sanskrit treatise written at the acting arts-Natyashastra. According to the Natyashastra, the dreams of theatre and its factors are to empower aesthetic enjoy and supply emotional rasa. It has its roots withinside the Vedic period, in Rig Veda in addition to Atharvaveda. How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. 

The principle advocates that enjoyment is the favored impact of overall performance arts however now no longer the number one purpose, and the number one purpose is to move the people gift withinside the target target market into some other parallel reality, complete of marvel and bliss, in which he/she stories the essence of his/her recognition and displays on non secular and ethical components. It shows that each item and that means has an emotional impact that diverts the human thoughts with its enjoy and controls the coronary heart and thoughts of an person.

To facilitate the know-how of this principle How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. Bharata Muni has defined all of the feelings in a different way even as studying the shape of these feelings, the manner they sunrise upon the client of an artwork shape and How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. expressed his perspectives upon the members of the family of these feelings with numerous components and their impact at the target target market with literary context.

How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala

How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. In post-Vedic literature, the phrase 'Rasa' commonly connotes "extract, essence, juice or a delectable liquid", in the cultured experience. Thus the principle has come to be a completely essential literary principle, which has a reference to human enjoy and is strongly rooted withinside the components of realism.


How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. A Sanskrit phrase that refers to 'juice', 'extract', and/or 'essence' in the cultured experience. It denotes an crucial mental kingdom, wherein feelings spring to mind withinside the thoughts of a individual whilst witnessing a piece of artwork. When an person observes, reads, and/or listens to any sort of artwork shape, sensory triggers in his thoughts provide upward push to special feelings, taken into consideration as ‘Rasa’. Bharata Muni defined 9 Rasa's or Navrasa. Each Rasa is related to a presiding deity and a selected color. These are:

Shringara – Represents love, splendor, beauty, romance, and devotion.

Presiding Deity: Vishnu

Colour: Light Green

Hasyam – Represents laughter, joy, mirth, comedy, or humour.

Presiding Deity: Shiva

Colour: White

Raudram – Represents fury, anger, and/or frustration.

Presiding Deity: Shiva

Colour: Red

Karunyam – Represents mercy, compassion, pity, or grief.

Presiding Deity: Yama

Colour: Grey

Bibhatsam – Represents disgust and aversion toward some thing that sickens or revolts.

Colour: Blue

Bhayanakam – Represents horror, terror, fear, or anxiety.

Presiding Deity: Yama

Colour: Black

Veeram – Represents courage, pride, bravery, and self-confidence.

Presiding Deity: Indra

Colour: Saffron

Adhbutam – Represents marvel, mystery, interest, and amazement.

Presiding Deity: Brahma

Colour: Yellow

Shantam – Represents peace, tranquility, serenity, and the kingdom of calmness.

Presiding Deity: Vishnu

Colour: Perpetual White

Bharata Muni has offered his principle of Rasa withinside the 6th bankruptcy of Natyashastra, and he stated that “No significant concept is conveyed if the ‘Rasa’ isn't always evoked”.


Kalidasa's Abhijnanashakuntalam is taken into consideration the nice paintings to have a look at to get a higher know-how of the Rasa principle.How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. 

Presiding Deity: Shiva

Kalidasa has offered 3 Rasa's i.e. Shringara (Love), Karunyam (Compassion), and Shantam (Peace) on this paintings with the maximum concentration, whilst additionally which includes the closing six in numerous factors.

Shringara Rasa

How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. Shringara Rasa is typical at some stage in the play, as it's far primarily based totally at the subject of affection. The access of Dushyanta, and the outline of his appearance, in conjunction with the response of Shakuntala and her friends, evoke emotions of affection and provide an concept of the extent of beauty and splendor that King Dushyanta possesses. Another example is whilst Dushyanta describes the splendor of Shakuntala, with the aid of using simply providing his perspectives and outline of the arrival of Shakuntala:

Her decrease lip has the wealthy sheen of younger shoots,

her fingers the very grace of soft twining stems;

her limbs captivating as a lovable flower

glow with the radiance of magical youth.

Her garb with the aid of using constantly praising her splendor inspires the emotion of affection withinside the thoughts of the reader. Further, he provides the praise that she isn't always from earth due to the fact her splendor is heavenly:

How should a shape of such matchless splendor

come from the womb of a mortal mom?

The scintillating lightning-flash

does now no longer spring up from the earth.

Their craving for every different, Shakuntala being proven lovesick, Dushyanta's efforts to woo her, their confession of affection to every different, their courtship, and numerous different times evoke the emotions of affection via its special nuances.

Hasyam Rasa

How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala. Laughter or Comedy has continually been one of the maximum used factors of literature in enjoyment. The Hasyam Rasa is frequently related to the man or woman of Madhavya, the courtroom docket jester, in times whilst he followed Dushyanta on his searching expeditions and complained approximately the ache he skilled en-route:

Karunyam Rasa

The preliminary acts of the play are content material with love and romance, however from the fourth act, the focal point shifts toward Karunyam Rasa signifying compassion, bringing approximately a sad shift in feelings. The prelude informs approximately the lover's marriage in line with Gandharva rites and the scene indicates Shakuntala engrossed withinside the mind of her lover, fails to take care of Durvasa Rishi, who in his anger curses Shakuntala, evoking emotions of compassion and pity for her, withinside the minds of the target target market.

After this scene, Anasuya pleading with Durvasa Rishi to boost the curse in addition intensifies the surge of feelings, and its essence is typical whilst she visits Dushyanta in his palace and he does now no longer receive her as his spouse, as he can't do not forget his reminiscence at all, because of the consequences of the curse and in flip, doubts her chastity.

Veeram Rasa

The essence of bravery and heroism to begin with seems with the outline of Dushyanta.

Adhbutam Rasa

The Rasa of marvel, surprise, mystery, and amazement seems with the curse of Durvasa, and whilst Anasuya begs with him to lighten the impact of the curse to a few extent; he says that if a token of reputation is offered to her husband, the curse can be lifted. The sudden flip of activities and the interest related to the development of the plot is some thing that Bharata Muni desired to convey, the Adhbutam Rasa could evoke.

Another incident which incites amazement is whilst Dushyanta has the same opinion to preserve Shakuntala in his palace until the delivery of the baby, however she receives taken away to heaven with the aid of using a few womanly shadow of the cosmic realm, to which her mom belonged.

Shantam Rasa

Shantam Rasa has been offered in nearly every of the chapters in a single or the opposite manner. The description of the ashram in conjunction with atmosphere and air of mystery of the character surrounding it offers a experience of calm and serenity to the environment.

At the quit of the fourth bankruptcy, whilst Shakuntala goes to go to Dushyanta withinside the palace, her father-like discern Kanva feels relieved and in peace that Shakuntala is now satisfied together along with her own circle of relatives and it is her new starting in life.

Raudram Rasa

The feeling of anger and frustration is evoked withinside the scenes whilst Durvasa Rishi curses Shakuntala.How is the veer rasa and the shringara rasa evoked in Abhijnana Shakuntala.

The target target market stories a sense of anger and frustration toward Durvasa Rishi and some other example is whilst Dushyanta refuses to just accept Shakuntala as his spouse in conjunction with the demeanor wherein he doubts the chastity of his spouse, despite the fact that he became beneathneath the impact of the curse. Shakuntala's irritated respond to Dushyanta's humiliating claims on her provide upward push to Raudra Rasa:

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