Gynocriticism

 Gynocriticism

 

Gynocriticism an idea introduced by Elaine Showalter in Towards a Feminist Poetics gynocriticism refers to a sort of criticism with woman as writer/producer of textual meaning, as against woman as reader (feminist critique). Gynocriticism worrying with the specificity of women’s writings (gynotexts) and women’s experiences, it focuses on female subjectivity, female language and feminine literary career, and attempts to construct a female framework for the analysis of literature.

Gynocritics are primarily engaged in identifying distinctly feminine material (domesticity, gestation) within the literature written by women, uncovering the history of female literary tradition, depicting that there's a female mode of experience and subjectivity in thinking and perceiving the self and therefore the world , and specifying traits of “woman’s language”, a distinctively feminine sort of speech and writing.

A number of the gynocritical texts include Patricia Meyer Spacks‘ the feminine Imagination, Ellen Moers‘ Literary Women, Elaine Showalter’s A Literature of their Own and Sandra Gilbert and Susan Gubar’s The Madwoman within the Attic, which elucidates the anxiety of authorship that arises from the notion that literary creativity is an exclusive male prerogative, and it's this anxiety that makes a counter figure for the idealised woman, the mad woman (modelled on Bertha Rochester in Jane Eyre). Gynocriticism was criticised for essentialism.

 Gynocriticism or gynocritics is that the term coined within the seventies by Elaine Showalter to explain a replacement literary project intended to construct "a female framework for the analysis of women's literature". By expanding the historical study of girls writers as a definite literary tradition, gynocritics sought to develop new models supported the study of female experience to exchange male models of literary creation, then "map the territory" left unexplored in earlier literary criticisms.

An idea introduced by Elaine Showalterin Towards a Feminist Poetics gynocriticism refers to a sort of criticism with woman as writer/producer of textual meaning, as against woman as reader (feminist critique). worrying with the specificity of women’s writings (gynotexts) and women’s experiences, it focuses on female subjectivity, female language and feminine literary career, and attempts to construct a female framework for the analysis of literature Gynocritics are primarily engaged in identifying distinctly feminine material (domesticity, gestation) within the literature written by women, uncovering the history of female literary tradition, depicting that there's a female mode of experience and subjectivity in thinking and perceiving the self and therefore the world , and specifying traits of “woman’s language”, a distinctively feminine sort of speech and writing. a number of the gynocritical texts include Patricia Meyer Spacks‘

The feminine Imagination, Ellen Moers‘ Literary Women, Elaine Showalter’s A Literature of their Own and Sandra Gilbert and Susan Gubar’s The Madwoman within the Attic, which elucidates the anxiety of authorship that arises from the notion that literary creativity is an exclusive male prerogative, and it's this anxiety that makes a counter figure for the idealised woman, the mad woman (modelled on Bertha Rochester in Jane Eyre). Gynocriticism was criticised for essentialism.

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