BEGC-133 BRITISH LITERATURE Solved Assignment 2025-2026
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BEGC-133 BRITISH LITERATURE
Answer all questions in this
assignment.
Section A
Explain the following passages
with reference to the context. 10x4=40
1. “And Pity, like a naked new-born babe,
Striding the blast, or heaven’s Cherubins, hors’d
Upon the sightless couriers of the air,
Shall blow the horrid deed in every eye,
That tears shall drown the wind - I have no spur
To prick the sides of my intent, but only
Vaulting ambition, which o’erleaps itself
And falls on th’ other.”
2. “Out, out, brief candle!
Life’s but a walking shadow; a poor player,
That struts and frets his hour upon the stage,
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.”
3. “Soldiering, my dear madam, is the coward’s art of attacking
mercilessly when you are strong, and keeping out of harm’s way
when you are weak. That is the whole secret of successful fighting. Get your
enemy at a disadvantage; and never, on any account, fight him on equal terms.”
4. “… More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?”
Section B
II. Write short notes on the
following: 5x4=20
1. The role of the witches in
Macbeth.
2. The significance of ‘fate’ or
‘chance’ in Hardy’s novels.
3. Bernard Shaw and the
‘discussion play’.
4. Tennyson’s Idylls of the King
and the Arthurian legend.
III. Write short essays on the
following: 10x2=20
a. Bernard Shaw’s play Arms and
the Man is considered to be an ‘anti-romantic comedy’. Do you agree with this
assessment?
b. What are the medieval values
highlighted in Tennyson’s poem “Morte d’Arthur”? How does the poet relate them
to the Victorian age?
Section C
IV. Explain how Hardy creates a
picture of the people and landscape of rural England of the Victorian age, in
Far from the Madding Crowd. 20
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