MEG 16 Solved Assignment 2021-22
MEG 16 Solved Assignment 2021-22: MEG 16 INDIAN FOLK LITERATURE
Solved Assignment 2021-22 MEG
16 Assignment 2021-22 All IGNOU Assignment available at our website. IGNOU
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MEG 16 Solved Assignment
2021-22
MEG - 16
INDIAN FOLK LITERATURE
ASSIGNMENT 2021 - 2022
(Based on Blocks (1 – 8)
Max. Marks: 100
Attempt
any five of the following:
1.
Give a brief overview of the academic period in the growth of folklore studies
in India.
Caught
between the horns of deconstructive challenges to grand ‘classical’ theories in
social sciences and a renewed pressure to respect global trends, folklore
studies are undergoing a thorough introspection in terms of appropriating
paradigms and models that have problematised previous discourses. On the one
hand is the pressing demand to transgress boundaries of specific cultures and locate
discourses in broader terrains (Das 1995) while on the other, is the pull to
recognize multiple realities and plural voices. In essence, the critique
centres around the dominant intellectual order of juxtaposing cultural
realities with issues of wider concern. Marcus and Fischer (1986) argue that
the most interesting debates in a number of fields have shifted to the level of
method, problems of epistemology, interpretation, and discursive forms of
representation employed by social thinkers. Elevated to a central concern of
theoretical reflection, problems of description become problems of
representation. In the context of folklore studies, this entails a departure
from established analytical principles in favour of re-examining the
narratives. The interface of uniformity and multiplicity, totalising vision and
heterogeneity is an important one calling for critical introspection of basic
concepts and themes upon which major theories rest.
This paper
is an attempt to negotiate the position of folklore in academic circles as an
interactive dimension of culture, inseparable and undetachable from it. I take
a position that myths, legends and folklore are woven into the fabric of
culture as its warp and woof in such a manner that it is sometimes difficult to
pick them out precisely from the meshwork of beliefs, values, tradition and
knowledge systems of a people. Going beyond the framework of analyses derived
from western concepts and paradigms that do not relate with Indian cultural
reality, this essay seeks to emphasize and re-establish the relationship
between folklore and the lifestyle of a people, particularly in the Indian
context which belies the terms of reference in classical folklore studies. In
doing so I wish to prepare ground for evolving indigenous models for
understanding folklore. Reflecting on the nature of cultural knowledge and its
implications for the understanding of folklore, I show how folklore operates in
cultures by shaping collective psyche as also providing relevance to people’s
thought and expression. I will conclude this piece by abstracting basic
principles for a meaningful understanding of folklore in the Indian cultural
scenario.
Lifestyles
of many communities revolve around the agricultural cycle, circadian rhythms,
movement of the earth, waxing and waning of the moon and the different
processes of nature. Vatsyayan (1976) explains that the dussehra celebrates the
harvest of the kharif (summer crop) as much as it does the victory of Lord RÅma
over the demon RÅvaœa; Diwali celebrates the sowing of grains as much as it
does the coming home of Lord RÅma to AyodhyÅ; Basant Panchami celebrates the
cultivation of the Rabi crop, as much as it does the worship to Goddess
Sarasvat≠. Again, KŸ„œa (the divine cowherd with the flute) represents animal
husbandry and BalarÅma (the elder brother of KŸ„œa with his plough) represents
crop cultivation. The feeling of and belief in myths, legends and worship of
deities is common to village societies and townships. Deities are the icons
around which many myths are constructed, treating human beings as an integral
part of nature and cosmos. The myths establish human existence as being
involved in an unceasing interplay with the physical space, habitat,
environment and other life forms. It is this unfragmented vision of life, which
both informs, and is informed by the repertoire of folklore as exemplified in
the creation myth of the Santhals.
2.
Ecology is an inevitable element of folklore. Elucidate.
3.
Categorize legends and folktales and discuss their functions in literature.
4.
Why did Verrier Elwin collect and document tribal tales? Briefly enumerate the
various discoveries through his stores.
5.
What is the cultural significance of the folk Ramayana songs? Discuss with
reference to Paula Richman’s text.
6.
Attempt a critical note on the ethnographic details and eco-systems of the
Paraja tribe.
7.
Discuss Girish Karnad’s pivotal role in the development of modern Indian drama
with special reference to Hayavardana.
8.
Write short notes on any two: (10x2=20)
a.
Tamasha
b.
Nautanki
c.
Jatra d. Kathakali
MEG 16 INDIAN FOLK LITERATURE SOLVED ASSIGNMENT 2021-22: MEG 16 SOLVED Assignment 2021-22, MEG 16 Assignment
2021-22, MEG 16 Assignment, IGNOU Assignments 2021-22- Gandhi
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Those students who had successfully submitted their Assignments to
their allocated study centres can now check their Assignment Status. Along with
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