Themes Discussed In Abhijnana Shakuntala
The Themes Discussed In
Abhijnana Shakuntala, Abhijnanashakuntala, (Sanskrit: “The Recognition of
Shakuntala”) drama by Kalidasa composed about the 5th century CE that's
generally considered to be the best Indian literary composition of any period.
The Themes Discussed In Abhijnana Shakuntala, Taken from legend, the work tells
of the seduction of the nymph Shakuntala by King Dushyanta, his rejection of
the girl and his child, and their subsequent reunion in heaven.
The child that's born is
Bharata, the eponymous ancestor of the Indian nation (Bharatavarsha,
“Subcontinent of Bharata”). Kalidasa remakes the story into a love idyll whose
characters represent a pristine aristocratic ideal: The Themes Discussed In
Abhijnana Shakuntala, the girl, sentimental, selfless, alive to little but the
delicacies of nature, and therefore the king, first servant of the dharma
(religious and social law and duties), protector of the social order, resolute
hero, yet tender and suffering agonies over his lost love.
The plot and characters are
made believable by a change Kalidasa introduces: Dushyanta isn't liable for the
lovers’ separation; he acts only under a delusion caused by a sage’s curse. The
Themes Discussed In Abhijnana Shakuntala, As altogether of Kalidasa’s works,
the sweetness of nature is depicted with an inimitable elegance of metaphor.
Sanskrit literature , body of writings produced by the Aryan peoples who
entered the Indian subcontinent from the northwest, probably during the 2nd
millennium BC.
The Themes Discussed InAbhijnana Shakuntala, It developed because the vehicle of expression for the
Brahmanical society that gently established itself because the main cultural
force throughout the region within the period before the Muslim conquest. The Themes
Discussed In Abhijnana Shakuntala, Beginning c. 1500 BC, with the age of the
Vedic hymns, the classical period of Sanskrit drew to an in depth c. AD 1000.
Throughout this era of two ,500 years the dating of most literary works is
problematical; the problem is aggravated by the tendency to ascribe authorship
to well-known or legendary names.
Two main periods within the
development of the literature are discernible: The Themes Discussed In
Abhijnana Shakuntala, the Vedic period, approximately 1500–200 BC; and,
somewhat overlapping it, the classical period, approximately 500 BC–AD 1000.
Kalidasa, (flourished 5th century CE, India), Sanskrit poet and dramatist,
probably the best Indian writer of any epoch. The six works identified as
genuine are the dramas Abhijnanashakuntala (“The Recognition of Shakuntala”),
Vikramorvashi (“Urvashi Won by Valour”), and Malavikagnimitra (“Malavika and
Agnimitra”); the epic poems Raghuvamsha (“Dynasty of Raghu”) and Kumarasambhava
(“Birth of the War God”); and therefore the lyric “Meghaduta” (“Cloud
Messenger”). The Themes Discussed In Abhijnana Shakuntala, like most classical
Indian authors, little is understood about Kalidasa’s person or his historical
relationships. His poems suggest but nowhere declare that he was a Brahman
(priest), liberal yet committed to the orthodox Hindu worldview.
His name, literally “servant
of Kali,” presumes that he was a Shaivite (follower of the god Shiva, whose
consort was Kali), though occasionally he eulogizes other gods, notably Vishnu.
A Sinhalese tradition says that he died on the island of Sri Lanka during the
reign of Kumaradasa, who ascended the throne in 517. The Themes Discussed In
Abhijnana Shakuntala, A more persistent legend makes Kalidasa one among the
“nine gems” at the court of the fabulous king Vikramaditya of Ujjain.
Unfortunately, there are several known Vikramadityas (Sun of Valour—a common
royal appellation); likewise, the nine distinguished courtiers couldn't are
contemporaries. it's certain only that the poet lived sometime between the
reign of Agnimitra, the second Shunga king (c. 170 BCE) and therefore the hero
of 1 of his dramas, and therefore the Aihole inscription of 634 CE, which lauds
Kalidasa.
He is apparently imitated,
though not named, within the Mandasor inscription of 473. No single hypothesis
accounts for all the discordant information and conjecture surrounding this
date. An opinion accepted by many—but not all—scholars is that Kalidasa should
be related to Chandra Gupta II (reigned c. 380–c. 415). The Themes Discussed In
Abhijnana Shakuntala, the foremost convincing but most conjectural rationale
for relating Kalidasa to the brilliant Gupta dynasty is just the character of
his work, which appears as both the right reflection and therefore the most
thorough statement of the cultural values of that serene and complicated
aristocracy.
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