Donne or Herbert or Marvel as an example of metaphysical poetry.
Metaphysical Poetry
The term "metaphysical," as applied to English and
continental European poets of the seventeenth century, was employed by Augustan
poets Dryden and Johnson to reprove those poets for his or her
"unnaturalness." As Johann Wolfgang von Goethe wrote, however,
"The unnatural, that too is natural," and thus the metaphysical poets
still be studied and revered for his or her intricacy and originality.
John Donne, in conjunction with similar but distinct poets
like George Herbert, Marvell , and Henry Vaughn, developed a poetic style
during which philosophical and spiritual subjects were approached justifiably
and sometimes concluded in paradox. This group of writers established
meditation—based on the union of thought and feeling wanted in Jesuit Ignatian
meditation—as a poetic mode.
The metaphysical poets were eclipsed within the eighteenth
and nineteenth centuries by romantic and Victorian poets, but twentieth-century
readers and students , seeing within the metaphysicals an attempt to understand
pressing political and scientific upheavals, engaged them with renewed
interest. In his essay "The Metaphysical Poets," T. S. Eliot,
especially , saw during this group of poets a capacity for "devouring all
kinds of experience."
Donne (1572 – 1631) was the foremost influential metaphysical
poet. His personal relationship with spirituality is at the center of most of
his work, and thus the psychological analysis and sexual realism of his work
marked a dramatic departure from traditional, genteel verse. His early work,
collected in Satires and in Songs and Sonnets, was released in an era of
spiritual oppression. His Holy Sonnets, which contains many of Donne’s most
enduring poems, was released shortly after his wife died in childbirth.
Herbert (1593 – 1633) and Marvell (1621 – 1678) were remarkable
poets who didn't live to determine a group of their poems published. Herbert,
the son of a prominent literary patron to whom Donne dedicated his Holy
Sonnets, spent the last years of his short life as a rector during a village .
On his deathbed, he handed his poems to a devotee with the request that they be
published as long as they might aid "any dejected poor soul." Marvell
wrote politically charged poems which may have cost him his freedom or his life
had they been made public. He was a secretary to Milton , and once Milton was
imprisoned during the Restoration, Marvell successfully petitioned to possess
the elder poet freed. His complex lyric and satirical poems were collected
after his death amid an air of secrecy.
HYMN TO GOD the daddy
John Donne's Hymn to God the daddy marks a watershed in his
religious poetry. it is a departure from the general run of his religious
poetry within the sense that the poet achieves the much needed sense of
security and joy in his prayers to God. within the religious poetry that
precedes it the poet finds himself wading through the maze of encouragements of
fleshly life amid a striving for divine grace. Here he's during a special moral
and spiritual clime, breathing something bracing and salutary, during a pointy
contrast to what he came the murky landscape of vile passions. The peace that
he discovers during this perilous journey through the dark night of the soul is
epitomized during this hymn that was composed during his illness in 1623 and
sung to the accompaniment of music. Donne or Herbert or Marvel as an example of
metaphysical poetry He felt overwhelmed with the e~chanting strain of the hymn
and sang it several times in church. Its singing wrought a miracle in
soothing" his afflicted nei-ves and he fell relaxed within the ravishing
great point about this hymn. His biographer Tzaak Wallon, speaks of its magical
property (Life of Jolzn Donne). within the religious sonnets Donne wrote before
his ordination, he feels greatly disturbed, because he features a sense that he
has acquiesced into youth's fire of pride and lust and - has didn't come closer
to God. within this poem, he wrestles with sin within the fond hope of
redemption and comes out triumphant as George Herbert does within the poem,
Love. The hymn consists of thee close-knit stanzas. In each stanza the poet
beseeches God to forgive his sins. But within the primary two stanzes he's
unsure that every one his sins would be forgiven. it's only towards the highest
of the poem that the gains full faith in God's magnanimity. The wavering is
because of his awareness that he has fallen into a sinful way of life. He also
knows that the traitor is lodged within him and it's getting to prompt him to
swerve aside from the trail of God's grace. As he ppints out in Holy Sonnet,
But our old subtle foe so tempt me, That one houre myselfe I can sustain.
The Christian Inspiration
Donne or Herbert or Marvel as an example of metaphysical
poetry 'It is significant to remember that Herbert's poems were like his very
private meditations which he showed to a few of friends and were published by
his friends only after his death, as they'll help others in facing similar
spiritual problenis.Herbert was steeped in Christian idealogy. His collection
of poems was called "The Temple" and various poems bear titles like
" The Porch" "The Window", etc. Herbert is predominontly a
Christain poet and for him each Christian ritual is extremely significant.
we'll read the poem. "The Collar" as an example how for Herbert the
ritual of the Eucharist* was a transparent symbol of the invisible grace. For
Herbert Grace involves first a full awareness of the chaotic state of the
fallen man and a firm belief within the unconditional and free omnipresence of
grace. according to Herbert god's grace anticipates man's behaviour and each
one man's complaints. Herbert with a devastating irony within the poem
"The Collar" puts all complaints within the vocabulary of Christ
passion i.e. the Crucification. there is a reference to a crown, to a thorn, to
blood. Before you'll understand the poem it's getting to be necessary to read
another poem of Herbert's "The Sacrifice" during which Christ says
"on my head a crown of thorns I wear and particularly : "my blood
(is) the only way and cordial1 left to repair mans decay". So when the
poet within the "The collar" slips the collar and provides vent to
his choler or anger the he uses the same terminology- the sighs dry up the wine
and tears drown the corn which could be the bread and thus the wine representing
the sacrifice of Christ
To His Coy Mistress
To His Coy Mistress As a Metaphysical Poetry Marvell wrote
this poem within the classical tradition of a Latin love elegy, during which
the speaker praises his mistress or lover through the motif of carpe diem, or
“seize the day.” The poem also reflects the tradition of the erotic blazon,
during which a poet constructs elaborate images of his lover’s beauty by
carving her body into parts. Its poem consists of rhymed couplets in iambic
tetrameter, proceeding as AA, BB, CC, then forth Donne or Herbert or Marvel as
an example of metaphysical poetry.
Donne or Herbert or Marvel as an example of metaphysical
poetry The speaker begins by constructing a radical and elaborate conceit of
the varied things he “would” do to honor the lady properly, if the two lovers
indeed had enough time. He posits impossible stretches of some time during
which the two might play games of courtship. He claims he could love her from
ten years before the Biblical flood narrated within the Book of Genesis, while
the lady could refuse his advances up until the “conversion of the Jews,” which
refers to the day of Christian judgment prophesied for the highest of times
within the New Testament’s Book of Revelations.
The speaker then uses the metaphor of a “vegetable love” to
suggest a slow and steady growth which can increase to vast proportions,
perhaps encoding a phallic suggestion. this is often ready to allow him to
praise his lady’s features – eyes, forehead, breasts, and heart – in increments
of hundreds and even thousands of years, which he says that the lady clearly
deserves because of her superior stature. He assures the lady that he would
never value her at a “lower rate” than she deserves, a minimum of during a
perfect world where time is unlimited.
Marvell praises the lady’s beauty by complimenting her
individual features employing a tool called an erotic blazon, which also evokes
the influential techniques of 15th and 16th century Petrarchan love poetry.
Petrarchan poetry is based upon rarifying and distancing the female beloved,
making her into an unattainable object. during this poem, though, the speaker
only uses these devices to suggest that distancing himself from his lover makes
no sense , because they're doing not have the limitless time necessary for the
speaker to praise the lady sufficiently. He therefore constructs an erotic
blazon only to mention its futility.
The poem’s mood shifts in line 21, when the speaker asserts
that “Time's winged chariot” is typically near. The speaker’s rhetoric changes
from an acknowledgement of the Lady’s limitless virtue to insisting on the
novel limitations of their time as embodied beings. Once dead, he assures the
lady , her virtues and her beauty will dwell the grave in conjunction with her
body because it turns to dust. Likewise, the speaker imagines his lust being
reduced to ashes, while the prospect for the two lovers to hitch sexually are
getting to be lost forever.
Who the hell made these notes ??? The worst English I ever seen....
ReplyDelete